![]() ![]() The actual ColorChecker Passport consists of a standard 24-patch color target in a hard plastic case. Adobe terms these as DNG profiles, but you don't need to convert your Raw files to DNGs (Adobe's Digital Negative format) to use them.ĬolorChecker Passport photographed in bright sunlight. You can also use the bundled software to create tailor-made camera profiles for Adobe Camera Raw. I use the Xrite ColorChecker Passport and the plug-in that allows me to create profiles direct from Adobe Lightroom. ![]() So, on a whim I created a profile from a calibration image that I had photographed but never used, and then watched amazed as each image preview rendered in exactly the way I recalled.ĭepending on your camera and light source however, you might not notice such a prominent color shift, but the theory of Marginal Gains teaches us that even apparently unnoticeable improvements in quality will add up.Ĭreating a custom profile for your camera has never been easier. The colors came out too yellow and muted, and not the vibrant purples I remembered from the scene. I first became convinced of camera profiling some years ago, when processing some images of an Irish sunset shot on a Nikon D2x. Calibration will mean you have a better, more accurate starting point and so each image will, in theory need fewer edits.Ĭalibrating a camera works in a similar way: essentially you are measuring any variance in how it sees the world, and creating a profile to correct these individual differences at the Raw processing stage. The resulting profile is used to adjust how your images are displayed on that screen, to eliminate the discrepancy.Īll cameras see colors differently and to recreate a scene as you remember it, you might have to make a number of edits in post-processing to render the colors accurately. Top flight monitors might not vary all that much, but a lower-end screen might be significantly 'off'. So when you calibrate a monitor, you're measuring how it varies from an agreed standard in how it displays colors. You create a custom profile for your device, so that color management capable software can make allowances for any variances. Whatever the device, the principle of calibration is the same. But few think of calibrating their camera. Many digital photographers are familiar with calibrating their computer monitor to help them get accurate results when adjusting images - some will even go to the trouble of calibrating their printers to get better, more predictable print results. One of the ways in which you can minimize the amount of work you need to do in post-processing is to calibrate your camera. As such, it's far better to get everything as close as possible in-camera and have minimal edits left for post-processing. If you're the sort of photographer who relies on sorting everything out on a computer later, then even a couple of days of shooting is going to take you a while to process. On a recent two day trip to Belgium I came back with well over two thousand pictures, for example. The theory of Marginal Gains can also help with your photographic workflow.Īs a travel photographer, I shoot a lot of pictures on a wide variety of subjects. The theory of 'Marginal Gains' states that if you make tiny improvements in all aspects of your performance, then these improvements will all add up and create a significant overall improvement.
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